To be fair, that's what Ms. Seigal suggests. She just nice about it...
Psychoanalysts, for instance, have interpreted "The Wonderful Wizard of Oz" as Dorothy's quest for a penis - that is, retrieving the witch's broomstick. Does that symbolism - if you buy it - make Dorothy a pervert? No, because it's hidden. That's the point. Overt and covert meaning can exist independently.
Those with a fiduciary, rather than phallic bent, might prefer the theory that L. Frank Baum's Oz stories are a Populist manifesto, with the yellow brick road as the gold standard, the Tin Man as alienated labor, Scarecrow as oppressed farmers, and so on. (And surely some Jungian theory about the collective unconscious explains why both Oz and Narnia are populated by four heroic characters fighting an evil witch.)
The Lion, the Witch and the Metaphor
By JESSICA SEIGEL
THOUGH it's fashionable nowadays to come out of the closet, lately folks are piling in - into the wardrobe, that is, to battle over who owns Narnia: secular or Christian lovers of C. S. Lewis's stories.
Children, of course, have been slipping through the magic cupboard into the mythical land for 50 years without assistance from pundits or preachers (though fauns and talking badgers have been helpful). But now that the chronicles' first book, "The Lion, the Witch and the Wardrobe," has been made into a Disney movie, adults are fighting to claim the action. And that means analyzing it. Or not.
The 7-year-old who sat next to me during a recent showing said, "This is really scary." It was scary when the White Witch kills the lion Aslan, who dies to save the loathsome Edmund before rising to help him and his siblings vanquish evil. But adults reducing the story to one note - their own - are even scarier. One side dismisses the hidden Jesus figure as silly or trivial, while the other insists the lion is Jesus in a story meant to proselytize. They're both wrong.
As a child, I never knew that Aslan was "Jesus." And that's a good thing. My mother recently remarked that if she'd known the stories were Christian, she wouldn't have given me the books - which are among my dearest childhood memories.
But parents today will not be innocent of the religious subtext, considering the drumbeat of news coverage and Disney's huge campaign to remind churchgoing audiences of the film's religious themes. The marketing is so intense that the religious Web site HollywoodJesus.com even worried that ham-fisted promotion might ruin it for non-Christians.
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