It's easier to just not ask

Why Isn't Maggie Cheung a Hollywood Star?
By SUSAN DOMINUS

Published: November 14, 2004

Cheung has been a fixture of Asian superstardom for 21 years and has won more acting awards in China than any other woman. She started out as Jackie Chan's long-suffering, slapsticky girlfriend, May, in the goofy action-oriented "Police Story" movies. (Chan said that when he first saw Cheung on Hong Kong TV, she struck him as someone who "wouldn't mind me kicking her down a flight of stairs.") Eventually tiring, as much physically as creatively, of action films, by the late 80's she had started working with the dreamy, painterly filmmaker Wong Kar-wai, trading her role as a plucky comic for more nuanced parts in films like "As Tears Go By" and "In the Mood for Love" -- women with a noirish unattainability or ingenues shedding their innocence. In the mid 90's, she crossed over to select Western audiences for the first time, working with the French director Olivier Assayas, whom she would eventually marry and who directed her recently in "Clean," the film for which she won the best actress award at Cannes. For Cheung's Asian audiences, it's as if they've watched her morph over the years from Audrey Hepburn to Greta Garbo.

So why is it that American audiences know Cheung only vaguely, if at all, as the woman who fended off a torrent of arrows in the Chinese film "Hero," which was a sleeper success in the United States this summer? It's somewhat mystifying that one of Asia's finest actresses is virtually unknown to Hollywood audiences, as if celebrity were the one export too fragile to make the 7,000-mile trip across the Pacific. Cheung's English, though accented, is fluent; her beauty, universal; her talent, unarguable -- the imprimatur of Cannes confirmed the cross-cultural appeal her Chinese fans have appreciated for decades. To wonder why Cheung isn't a Hollywood star is to wonder a bigger question: why hasn't any contemporary Asian actress become a major Hollywood star?

They've got a specific package to sell…American culture. That's all.

Posted by Prometheus 6 on November 14, 2004 - 12:01pm :: Race and Identity
 
 

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Is this a bad thing? Should we care? Does Maggie Cheung really want to make movies as insipidly awful as the ones Julia Roberts, Reese Witherspoon (except "Election"), Gwyneth Paltrow, Kirsten Dunst, Angelie Jolie and poor Halle Berry appear in? The same question could be asked about Juliette Binoche, Paz Vega or Gong Li. The answer is obvious. Or, as we used to say back in the day, "I'll give you ten answers and the first nine are wrong."

Posted by  PTCruiser on November 19, 2004 - 8:04pm.

Does Maggie Cheung really want to make movies as insipidly awful as the
ones Julia Roberts, Reese Witherspoon (except "Election"), Gwyneth
Paltrow, Kirsten Dunst, Angelie Jolie and poor Halle Berry appear in?
The same question could be asked about Juliette Binoche, Paz Vega or
Gong Li. The answer is obvious.

The other question is, does Maggie want to get paid like the others?

As for should we care, hey it's a weblog.

Posted by  Prometheus 6 on November 19, 2004 - 8:42pm.

My question was entirely in jest. I'm sure that Maggie Cheung would like to get paid as much as her Hollywood sisters. I just hope that she'll make a movie that I might want to go see.

Posted by  PTCruiser on November 19, 2004 - 10:03pm.

I'm sticking to science fiction and CGI, myself.

Posted by  Prometheus 6 on November 20, 2004 - 4:40am.